Callum Flannelly would rather dive into an open grave than take a stranger to dinner and a movie. But he can only inherit the family undertaking business and carry on their legacy under one condition: He must marry before his 35th birthday. So it’s out of the mortuary and into the dating scene.
Lark Thompson would rather get crushed by a falling anvil than stay next to a funeral home during her stay in Galway, Ireland. The vivacious American cartoon creator and animator came here to embrace life, not be reminded of losing her husband.
When Lark learns of Callum’s dilemma and aversion to marrying out of necessity rather than love, she agrees to help the introverted mortician. Although sworn off love herself, she is optimistic that Callum can find The One and secure his inheritance.
But as the dating project progresses and their friendship grows, so does a mutual attraction. The more time she spends with serious, sarcastic Callum, the more she dreads finding him a match. And the more disastrous dates he endures, the more he dreads Lark’s imminent return to the states.
If they think it’s possible to ignore their connection, they’re dead wrong.
