Philosophic meditations in poetic form on the meaning of eternity for 72
famous persons
Poetry
Date Published: January 15, 2024
As a philosopher once surmised: talent hits a target no one else can hit.
Genius, he insisted, hits a target no one else can see. The greatest artists
and thinkers are the greatest seers. They do not imagine ... only and
merely. They study the facts, they think the facts, they feel the facts,
until the facts, the acts of faith, the articles of invention, dissolve in
the naked light of the hitherto unseen, until fact, faith, and invention
fall away like Halloween masks, like swaddling clothes; and then, leaving
behind the tricks and the treats, they teach us what to hallow: the
nakedness of a newborn joy, perpetually born anew, a joy that can never die,
because it never quite knows, but never fails to enjoy, how early it already
is, and how young it was always going to be.
All thinking, carried far enough, ends in paradox: trying to think the
unthinkable. All feeling, carried far enough, ends in paradox: trying to
feel the unfeelable. But one can feel the unthinkable, and think the
unfeelable. To do so is to think with one's feelings and to feel with one's
thoughts. Then, and only then, is it possible to hit a target that no one
else can see. To experience deeply (profoundly and creatively) is to think
with your feelings and to feel with your thoughts. And there's a first and
last to every thought, to every feeling. To think the first, to feel the
first, as if it were the last, and to do so intensely is to know
nothingness, to experience death. Yes, this is paradox. To think the last,
to feel the last, as if it were the first, and to do so intensely is to
experience life, a life that never ends, precisely because – like a
box without sides – it is without beginnings and without ends. Yes,
this is paradox too.
This book continues the conspiracy of significance, the dialectic of
nowhere and now here, that began with The History of Eternity. Read this
sequel, Passages to Eternity, and follow, if you will, the destiny of this
paradox as it unfolds in the lives of 72 historic individuals, including
Rilke, Peirce, Aeschylus, Pythagoras, Wordsworth, Ibsen, Santayana, Wilde,
St. Teresa, Melville, Whitman, Beethoven, Godel, Michelangelo, Leibniz,
Thucydides, Ovid, Empedocles, Mann, Plato, Borges, St. James, Baudelaire,
Bradley, Arendt, Auden, Maistre, T.S. Eliot, Democritus, Bruegel, Unamuno,
Flaubert, Girard, Calvino, Holderlin, William James, Tacitus, Jaspers, St.
Paul, Pater, Anaximander, Solzhenitsyn, Nicholas of Cusa, Picasso, Joyce,
Berlioz, Marcus Aurelius, Tolstoy, Rose, Kant, Tennessee Williams, Amos,
Crane, Toynbee, Wharton, Hegel, Cavafy, Schmitt, Celan, Shankara,
Heisenberg, Gibbon, Luther, Frost, Anaxagoras, Nabokov, Adorno, Conrad,
Naipaul, Euripides, Ramanuja and many others.
