Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project.
The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery is just a fake, a Halloween prank, so the city gives the go-ahead, the bulldozer revs up, and it turns up human remains. Augusta says she doesn't know whose body it is or how many others might be present and refuses to answer any more questions. Then she stops answering the phone.
But Dahlia's concerns about the corpse and Augusta's disappearance are overshadowed when she begins to realize that she and her crew are not alone, and they're not welcome at the Withrow estate. They have no idea how much danger they're in, but they're starting to get an idea. On the crew's third night in the house, a storm shuts down the only road to the property. The power goes out. Cell signals are iffy. There's nowhere to go and no one Dahlia can call for help, even if anyone would believe that she and her crew are being stalked by a murderous phantom. Something at the Withrow mansion is angry and lost, and this is its last chance to raise hell before the house is gone forever. And it seems to be seeking permanent company.
The Family Plot is a haunted house story for the ages-atmospheric, scary, and strange, with a modern gothic sensibility to keep it fresh and interesting-from Cherie Priest, a modern master of supernatural fiction.
CHERIE PRIEST is the author of over a dozen novels, including the steampunk pulp adventures The Inexplicables, Ganymede, Dreadnought, Clementine, and Boneshaker. Boneshaker was nominated for both the Hugo Award and the Nebula Award; it was a PNBA Award winner, and winner of the Locus Award for Best Science Fiction Novel. Cherie also wrote Bloodshot and Hellbent from Bantam Spectra; Fathom and the Eden Moore series from Tor; and three novellas published by Subterranean Press. In addition to all of the above, her first foray into George R. R. Martin’s superhero universe, Fort Freak (for which she wrote the interstitial mystery), debuted in the summer of 2011. Cherie’s short stories and nonfiction articles have appeared in such fine publications as Weird Tales, Publishers Weekly, and numerous anthologies. She lives in Chattanooga, TN, with her husband, a big shaggy dog, and a fat black cat.
Who wouldn't want to read a story that has a creepy house? I love them! This book did have it's creepy moments for sure. And all of the mystery surrounding the house and stuff...more please. This was a great book. And the ending...holy cow that ending...made it so much better!!
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